On Movement, Instability and Perception in the Work of Fatmir Beržanin Fatmir Beržanin’s practice is shaped by a persistent attention to what usually passes unnoticed: air moving around a body, water losing stability, wind pressing against matter, motion leaving a trace. His works do not present these elements as scientific illustrations, nor do they use scientific language as decoration. Instead, Beržanin approaches physics as something lived. Natural laws, in his work, are