Tu e Io, Traces of Us is a performance and interactive installation by Amanda Smith, accompanied by video documentation by Savina Ražnatović. The artwork explores human connection and shared experiences, inviting visitors to trace their handprints onto a platform and contribute to the evolving gallery installation.

Photography by Liliana Rossi Arnés Eternal Rest for a Love Left Unfinished is a sculptural installation featuring a ritual preparation by Savina Ražnatović, presented in NO DAMAGE, Edition II - Body is the Place and curated by Szonja Szurop. Incorporating a plaster and clay relief atop a mattress-like structure, the work reflects on loss, healing, and biological intelligence through a symbolic burial that transforms grief into space for rebirth.

Photography by Liliana Rossi Arnés Eternal Rest for a Love Left Unfinished is a sculptural installation featuring a ritual preparation by Savina Ražnatović, presented in NO DAMAGE, Edition II - Body is the Place and curated by Szonja Szurop. Incorporating a plaster and clay relief atop a mattress-like structure, the work reflects on loss, healing, and biological intelligence through a symbolic burial that transforms grief into space for rebirth.

Photography by Liliana Rossi Arnés Eternal Rest for a Love Left Unfinished is a sculptural installation featuring a ritual preparation by Savina Ražnatović, presented in NO DAMAGE, Edition II - Body is the Place and curated by Szonja Szurop. Incorporating a plaster and clay relief atop a mattress-like structure, the work reflects on loss, healing, and biological intelligence through a symbolic burial that transforms grief into space for rebirth.

All the Things I Wanted to Tell You is a collaborative project featuring a durational performance, video documentation, and an artist's book by Savina Ražnatović and Michele Riedel Cusolito. Sitting across from one another, the artists exchange handwritten, unedited notes to explore presence, care, and emotional vulnerability in contrast to instantaneous digital communication. By keeping the written words private from the audience, the work leaves behind only the visible traces of their exchange—gestures, silences, and facial expressions.

All the Things I Wanted to Tell You is a collaborative project featuring a durational performance, video documentation, and an artist's book by Savina Ražnatović and Michele Riedel Cusolito. Sitting across from one another, the artists exchange handwritten, unedited notes to explore presence, care, and emotional vulnerability in contrast to instantaneous digital communication. By keeping the written words private from the audience, the work leaves behind only the visible traces of their exchange—gestures, silences, and facial expressions.

Photo by Ana Mitrovic Pristan is a project featuring a traditional wooden boat (čun) and video documentation of a performative action set in Lake Skadar, Montenegro. Rooted in ecofeminist theory and local ancestral memory, the work centers on the symbolic retrieval of a long-untouched family skiff, treating water as a shared hydrological commons that carries history, grief, and generational connection.

Photo by Ana Mitrovic Pristan is a project featuring a traditional wooden boat (čun) and video documentation of a performative action set in Lake Skadar, Montenegro. Rooted in ecofeminist theory and local ancestral memory, the work centers on the symbolic retrieval of a long-untouched family skiff, treating water as a shared hydrological commons that carries history, grief, and generational connection.

Photo by Ana Mitrovic Pristan is a project featuring a traditional wooden boat (čun) and video documentation of a performative action set in Lake Skadar, Montenegro. Rooted in ecofeminist theory and local ancestral memory, the work centers on the symbolic retrieval of a long-untouched family skiff, treating water as a shared hydrological commons that carries history, grief, and generational connection.

Photo by Luka Mavri K.A.M.I. is a participatory performance and site-specific installation inspired by the traditional Montenegrin guvno (a circular stone gathering space) and the Japanese word kami (meaning both sacred force/deity 神 and hair 髪). Dressed in black mourning attire (korota) as an embodiment of the strength, endurance, and sacrifice of historic Montenegrin women, artist Savina Ražnatović sits within a reconstructed circular structure to perform a simple ritual—combing her hair and leaving what falls onto a central postament as a shared, spiritual offering to the collective.

Photo by Luka Mavri K.A.M.I. is a participatory performance and site-specific installation inspired by the traditional Montenegrin guvno (a circular stone gathering space) and the Japanese word kami (meaning both sacred force/deity 神 and hair 髪). Dressed in black mourning attire (korota) as an embodiment of the strength, endurance, and sacrifice of historic Montenegrin women, artist Savina Ražnatović sits within a reconstructed circular structure to perform a simple ritual—combing her hair and leaving what falls onto a central postament as a shared, spiritual offering to the collective.

Developed during a residency in Belgrade in response to local student protests, MAP OF CARE is an installation featured around a large hand-drawn map with "care" at its center. Words like empathy, solidarity, nourishment, and love branch out into concrete social needs using visual language inspired by handwritten protest banners. The work also incorporates a suspended circle with colored threads, allowing visitors to physically mark and add their own needs to the artwork.

Photo by Sara Sassi Il Segreto by Annamaria Ajmone (Palazzo Strozzi) is a contemporary dance performance driven by dancers whispering secrets to one another. The inaudible vocal exchange shapes their physical movements and spatial organization, keeping the audience simultaneously included and excluded. The piece honors oral transmission—historically used by women, healers, and suffragettes—as a powerful tool for survival, community-building, and change.

Photo by Sara Sassi Il Segreto by Annamaria Ajmone (Palazzo Strozzi) is a contemporary dance performance driven by dancers whispering secrets to one another. The inaudible vocal exchange shapes their physical movements and spatial organization, keeping the audience simultaneously included and excluded. The piece honors oral transmission—historically used by women, healers, and suffragettes—as a powerful tool for survival, community-building, and change.

Photo by Leonardo Morfini Featured in the group exhibition A Room with a View organized by Toast Project Space at Manifattura Tabacchi in Florence, this installation reconstructs a working-class Balkan bathroom featuring a sink, mirror, soap, and everyday objects. The piece examines daily rituals of washing and preparation carried out under the weight of post-communist conditions, economic pressure, and inherited fear.

Photo by Leonardo Morfini Medium: Mixed media (analogue collage, paper, and thread, printed on photographic paper) Dimensions: 63 × 63 × 3 cm (W × H × D)

Ink and 24k on paper